The Dogs
By Allan Stratton
September 1, 2015; ISBN 9781492609384
By Allan Stratton
September 1, 2015; ISBN 9781492609384
Book Info:
Title: The Dogs
Author: Allan Stratton
Release Date: September 1, 2015
Publisher: Sourcebooks Fire
Praise for The Dogs:
“Stratton masterfully constructs a creepy gothic setting…A monstrous, stalking father, unhinging nightmares, a ghostly boy, wild dogs, and a moldy basement add creepy deliciousness to a murder mystery and tale of a boy who, in trying to solve a mystery, may just discover what a loving family might be. An engrossing blend of murder mystery and family story.” –Kirkus STARRED Review
Title: The Dogs
Author: Allan Stratton
Release Date: September 1, 2015
Publisher: Sourcebooks Fire
Praise for The Dogs:
“Stratton masterfully constructs a creepy gothic setting…A monstrous, stalking father, unhinging nightmares, a ghostly boy, wild dogs, and a moldy basement add creepy deliciousness to a murder mystery and tale of a boy who, in trying to solve a mystery, may just discover what a loving family might be. An engrossing blend of murder mystery and family story.” –Kirkus STARRED Review
"There’s fear aplenty in Allan Stratton’s The
Dogs and
a tantalizingly uncertain element of the supernatural… refreshingly
like an old-fashioned mystery, but the passion and terror underlying
(our hero's) own family give it emotional
complexity and suspense." -
Toronto Star
“A real page-turner... [The Dogs] stayed with me for days, author Allan Stratton having created an unsettled aura the likes of which Alfred Hitchcock and Stephen King routinely built into their work, too... Stratton’s depiction of setting and characters is masterful, and his ability to create tension and keep readers on edge is equally strong.” – Montreal Gazette
“A chilling tale of a mother and son on the run, from the author of the award-winning Chanda’s Secrets…Written in accessible prose, The Dogs manages to thrill while exploring the mindset of the victim in ways that are both insightful and affecting, artfully portraying permanent state of dread and a creeping self-doubt. This is an accomplished, gripping and thoughtful story, whose dramatic ending delivers on every level.” –The Guardian
“Brilliant, page-turning, and eerie. Had me guessing to the very end.” –Joseph Delaney, author of The Last Apprentice series.
“An Agatha Christie mystery novel on cocaine” –SLJ Teen Newsletter
“A real page-turner... [The Dogs] stayed with me for days, author Allan Stratton having created an unsettled aura the likes of which Alfred Hitchcock and Stephen King routinely built into their work, too... Stratton’s depiction of setting and characters is masterful, and his ability to create tension and keep readers on edge is equally strong.” – Montreal Gazette
“A chilling tale of a mother and son on the run, from the author of the award-winning Chanda’s Secrets…Written in accessible prose, The Dogs manages to thrill while exploring the mindset of the victim in ways that are both insightful and affecting, artfully portraying permanent state of dread and a creeping self-doubt. This is an accomplished, gripping and thoughtful story, whose dramatic ending delivers on every level.” –The Guardian
“Brilliant, page-turning, and eerie. Had me guessing to the very end.” –Joseph Delaney, author of The Last Apprentice series.
“An Agatha Christie mystery novel on cocaine” –SLJ Teen Newsletter
Summary:
Constantly on the run from a dangerous father, Cameron’s used to pushing away the trauma of his past. But when his mother moves them to an old farmhouse in the middle of nowhere, he discovers that there are some things you can’t escape.
His new schoolmates taunt him about the bloodthirsty dogs that supposedly haunt the farm, and Cameron soon stumbles upon a child’s drawings in the cellar that depict a violent history. The line between reality and nightmare begins to blur as the house’s horrifying secrets mix with fragments of Cameron’s own memories—some best left forgotten.
Goodreads Link
Buy Links:
Constantly on the run from a dangerous father, Cameron’s used to pushing away the trauma of his past. But when his mother moves them to an old farmhouse in the middle of nowhere, he discovers that there are some things you can’t escape.
His new schoolmates taunt him about the bloodthirsty dogs that supposedly haunt the farm, and Cameron soon stumbles upon a child’s drawings in the cellar that depict a violent history. The line between reality and nightmare begins to blur as the house’s horrifying secrets mix with fragments of Cameron’s own memories—some best left forgotten.
Goodreads Link
Buy Links:
iBooks || !ndigo || Indiebound
Excerpt from The Dogs:
I go up to my
bedroom. It’s at the top of the living-room stairs, next to a small
bathroom and near the big room over the kitchen. That’s the room Mom
thought I’d pick, and I would have, except for the
trapdoor in the ceiling. It’s sealed up with nails and paint. When I
saw it, I asked Mom what she thought was up there.
|
“An attic.”
“Yeah, but
what’s in it?” I pictured a dried-up body, half eaten by mice. I mean,
who seals up an empty attic? Anyway, that’s why I didn’t choose the big
room. If I don’t see the hatch, it’s easier
not to think about what’s on the other side.
The bedroom I
picked came with an oak desk, a wooden chair, a night table with a
lamp, and a metal-frame bed. The mattress is new, unlike the wallpaper,
which is stained and peeling along the seams
near the window. Under the peels are layers of older wallpaper, one
with little orange canaries on it.
The window
over my desk is the one good thing about my room. Looking out, I can see
the barn with the fields all around and the woods in the distance. At
night, the stars and the glow of the porch-lamp
light up bits of the barn and the first row of cornstalks.
I start to do
my homework. Pretty soon, though, I’m looking out the window, watching
the stars come out and trying to forget my life. I wonder who all are
staring up at the moon right now. Are they
wondering the same thing?
Out of the
corner of my eye, I catch something moving by the barn. When I look, it
disappears. Wait. There it is again at the cornfield. Some movement,
some
thing.
I count to twenty. Nothing. I relax. Then—did that stalk move? I turn off my light so whatever’s out there can’t see in.
It’s probably just a breeze.
Or Mr. Sinclair. Or Cody and his gang.
Don’t be nuts. If it’s anything, it’s an animal. A coyote or a dog.
The dogs. I close my curtains. If I don’t look out, whatever’s there will go away. But I can’t
not look. I sneak a peek. Nothing. Wait. By the barn. Is that a boy?
I blink. The boy is gone.
My eyes scan
the barn. There’s a missing board up in the loft area. The more I stare,
the more I think I see the boy staring back at me from the shadows
behind the hole. He’s maybe ten, very pale, and
he’s wearing one of those old Davy Crockett hats with the raccoon tail
hanging from the back. Are those freckles on his cheeks?
Don’t be crazy. The barn’s too far away to see stuff like that.
The face disappears. I stare till I see double. The face swims back into view.
This is too
weird. I close my eyes and try to clear my head by thinking about the
bus and the Cheerios between Benjie’s teeth. When I open my eyes,
everything’s normal. There’s no face. Nothing. Just
the night.
And that’s how it stays.
I
close my curtains, get ready for bed, and crawl under the covers. I
hate the way I scare myself. It’s always the same and it’s always
stupid. And the scared-er I get, the more
I talk to myself, which is even stupider.
Besides, even if there
was a boy in the barn, what’s scary about that? Maybe he just
likes exploring places like I do. Still, it’s weird he’s on our
property, especially so late. I wonder where he lives.
Who
says he lives anywhere? Who says he’s real? What parents let a kid that young wander around at night?
Mom knocks on my door. “Cameron?”
“Yeah?”
“May I come in?”
“Sure.”
I know she
wants to give me a good-night hug, but I told her to stop it when I was
twelve, so she just stands in the doorway. “I know you didn’t mean
anything. You’ve had a hard day. I’m sorry I overreacted.”
I hate it when she’s all understanding. It makes me feel like an even bigger jerk. “That’s okay. Mom, I really
am sorry.”
“I know.” She pauses. “’Night, then. I love you.”
I want to say the l-word back, but I feel dumb, so I just say,
“You too.”
“You too.”
Mom closes
the door. I go to turn off my lamp and get flashes of Mr. Sinclair and
the dogs and the kid I maybe saw in the barn. What’s out there in the
dark, circling the house when we’re asleep? What
could be out there?
I leave the light on.
What I thought about The Dogs
Every now and then I get the urge to read a good ghost story, and this one looked interesting. Since I also read mostly female romance authors, I was interested in reading something really different from what I've been reading. I was not disappointed.
The book opens with Cameron and his mom moving yet again to avoid discovery by Cameron's abusive father. They move miles away to an old farm house in a very rural area. This book gets creepy right from the start, with a basement full of boxes, a strange neighbor, and the boys on the school bus calling Cameron dog food.
Cameron is intrigued by the history of the house, especially when he find some artwork in a folder in the old coal room in the basement. The pictures tell a story and Cameron starts to ask questions. Things get even more serious when a spectre of a boy his age comes to talk to him, dropping little clues about what happened at the house like breadcrumbs on a trail.
When Cameron's investigation gets him in trouble and the some of the truth is revealed to his mother, she's naturally concerned that what is happening is a manifestation of the stress of being on the run from Cameron's father. But is it? Or is Cameron's mom the one exaggerating their danger? I loved the parallel stories here and the ongoing doubt about just what was happening in the present and what had happened in the past. Was Cameron going crazy? Or did something serious happen at that farmhouse? Is Cameron's dad a good guy ... or not?
The Dogs is a bit mystery and a bit ghost story. I like them both. Even though it didn't give me the creeps as much as wanting to know what really happened to the McTavish boy, I really enjoyed this story. I like a good ghost story and The Dogs held my interest until the end. I especially like how Cameron went about solving the mystery. A word of warning that there are mature themes in this, such as the subject matter of infidelity and abuse and this book is definitely for the older YA audience.
So if you are interested in an intriguing ghost story with a nicely crafted mystery, this might be the book for you.
ARC provided for review.
The book opens with Cameron and his mom moving yet again to avoid discovery by Cameron's abusive father. They move miles away to an old farm house in a very rural area. This book gets creepy right from the start, with a basement full of boxes, a strange neighbor, and the boys on the school bus calling Cameron dog food.
Cameron is intrigued by the history of the house, especially when he find some artwork in a folder in the old coal room in the basement. The pictures tell a story and Cameron starts to ask questions. Things get even more serious when a spectre of a boy his age comes to talk to him, dropping little clues about what happened at the house like breadcrumbs on a trail.
When Cameron's investigation gets him in trouble and the some of the truth is revealed to his mother, she's naturally concerned that what is happening is a manifestation of the stress of being on the run from Cameron's father. But is it? Or is Cameron's mom the one exaggerating their danger? I loved the parallel stories here and the ongoing doubt about just what was happening in the present and what had happened in the past. Was Cameron going crazy? Or did something serious happen at that farmhouse? Is Cameron's dad a good guy ... or not?
The Dogs is a bit mystery and a bit ghost story. I like them both. Even though it didn't give me the creeps as much as wanting to know what really happened to the McTavish boy, I really enjoyed this story. I like a good ghost story and The Dogs held my interest until the end. I especially like how Cameron went about solving the mystery. A word of warning that there are mature themes in this, such as the subject matter of infidelity and abuse and this book is definitely for the older YA audience.
So if you are interested in an intriguing ghost story with a nicely crafted mystery, this might be the book for you.
ARC provided for review.
Giveaway
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About the Author:
Allan
Stratton is an internationally published playwright and author. His
awards include a Michael L. Printz Honor Award, multiple ALA picks and
the
Independent Publisher Book Award.
Social Networking Links:
Website:
http://www.allanstratton.com/
